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Provence in bloom – exploring its flower festivals and the ‘perfume capital of the world’

Mimosas and violets are already out in the south of France, making it the perfect time for a pre-spring road trip

As I take my seat in Galimard’s Studio des Fragrances, in the Provençal town of Grasse, I limber up my nostrils for the task ahead: to create my own scent from the 126 bottles in front of me. Together they represent a world of exotic aromas, from amber and musk to ginger and saffron. But given that I have left the grey British winter behind to come here, I am more interested in capturing the sunny essence of the Côte d’Azur.

Here in the hills north of Cannes, the colours pop: hillsides are full of bright yellow mimosa flowers, violets are peeping out of flowerbeds and oranges hang heavy on branches over garden walls, even though it’s not yet spring. It is the perfect antidote to the gloom back home, and the chance to bottle these very scents is a joy.

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‘The most quietly romantic town we have ever visited’ – the enduring charm of Chiavenna, Italy

Writers from George Eliot to Goethe put this Lombardy town on the map, then it fell out of fashion. Today it makes a picture-perfect alternative to the Italian lakes

The ancient settlement of Chiavenna, in Lombardy, near Italy’s border with Switzerland, was once well known among travellers. “Lovely Chiavenna … mountain peaks, huge boulders, with rippling miniature torrents and lovely young flowers … and grassy heights with rich Spanish chestnuts,” wrote George Eliot in 1860.

Eliot wasn’t the only writer to rhapsodise about this charming town. Edith Wharton described it as “fantastically picturesque … an exuberance of rococo”. For Mary Shelley it was “paradise … glowing in rich and sunny vegetation”, while Goethe described it as “like a dream”.

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The moment I knew: as soon we parted I realised Hitomi was the one. I waited years to see her again

There was a language barrier, a mother who burned their letters and a record label manager who disapproved. But Kerry Cox and Hitomi were madly in love

In my early 20s, I quit my job in New Zealand and moved to Sydney to study martial arts. In 1982, after competing in the World Pugilist championships in Hong Kong, I hitchhiked around Japan for a month or so, then headed for Korea via ferry in January of 1983. I’d heard air fares were cheap from Korea. No internet back then!

While boarding, I was approached by a very attractive Japanese woman, with limited English, who told me that if I bought one box of bananas and a bottle of Johnnie Walker Black label, I could pay for most of my trip in Korea. These items were very much in demand back then.

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10 of the most romantic hotels, pubs, cabins and cottages for a cosy UK getaway

It’s an ideal time of year for snuggling up on a countryside break. We pick accommodation from shepherds’ huts in Somerset to a chateau in Wales

Six vintage-style “luxury huts” spaced out around a lake make up The Shepherds Hut Retreat in south Somerset. They have modern kitchens and bathrooms, private areas with hot tubs, and fancy features such as telescopes, gin bars, pizza ovens, fire pits and hammocks. There is also a woodland sauna on site. The newest hut, 1898, is the grandest, and is inspired by the Pig hotels. It is a mile’s walk to the Lord Poulett Arms, a thatched 17th-century pub in the village of Hinton St George, and half an hour’s drive to the beaches of the Jurassic Coast in east Devon and Dorset.
From £169, coolstays.com

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‘The intimate and the epic’: the best way to understand India is to travel by train

Being a passenger in this vast country is ‘a full-blooded immersion in the local’, says the novelist whose latest protagonist is lured by the romance of the rails

I carry my train journeys in my bones, the juddering song of the Indian rail. Our first prime minister, Jawaharlal Nehru, famously likened India to a palimpsest, no layer quite effacing the one that went before. That’s how I think of Indian railway journeys. They inscribe on the mind our fellow travellers, our ways, our thousand languages, our landscapes, our climate.

I think of a rail journey I made in 1998 – that brutal summer of nuclear testing – setting out from Mumbai, in an ordinary three-tier sleeper, for Dehradun, 1,000 miles (1,600km) north. The frazzled train fell off any semblance of a schedule. The voyage grew longer, past 50 hours; hotter, past 50C. I remember the metallic burn on the window grilles; the hot, killing wind that blew through them; the sizzle of water drops splashed on the face when theyhit the uncovered platforms in the heart of the country; the melt of my rubber soles. A fortnight later, having trekked to the mouth of a tributary of the Ganges, completing my expedition from the Arabian Sea to a Himalayan glacier, it was possible to look back on the rail ordeal with affection.

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The place that stayed with me: I would not have become a writer were it not for Iceland

As a teenager I wondered what I would have in common with this Nordic island. Then my teacher gave me a book of poetry

Lying in my bed, I listened to what sounded like a woman screaming outside in the dark. I picked up my pen. A month of living in this Icelandic village and I was still unaccustomed to the impenetrable January gloom and the ferocity of the wind; its propensity to sound sentient. I had started to feel like the island was trying to tell me something, had a story it wanted me to write.

Sauðárkrókur, a fishing town in the northern fjord of Skagafjörður, was all mountain, sea and valley. There were no trees to slow the Arctic winds, and I had already been blown sideways into a snowbank while walking home from Fjölbrautaskóli Norðurlands vestra, my new high school whose name I could not yet pronounce. At night, my dreams were filled with a soundscape of weeping women. When I woke, their wailing continued in the gusts outside. That was when I wrote. I wrote to understand myself in this new place. I wrote to understand Iceland, its brutality and its beauty.

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Saunas, safaris and silence in Norfolk: a winter weekend on a rewilded retreat

A transformative conservation project encompassing East Anglia’s large but secluded Fritton Lake has high-end hospitality and nature-rich experiences at its heart

The scene is entirely black, white, grey and silver. It is cold, unusually dark and a film of ice is forming on the lake. I’m sitting in an unlit wooden sauna, alone, in immense silence. The only noise is the soft ticking of the stove as the heat rises. Across the water are ghostly silver birches and dark pines. Above them, Orion’s Belt shines bright. This vivid experience feels like midwinter in Canada, Finland or anywhere else about 60 degrees north. So it’s bizarre to know I’m a few miles south-west of Great Yarmouth.

Fritton Lake is an anomaly. Like the Broads to the north, this deceptively big, sinuous lake was largely created by medieval peat-digging, but it’s nothing like its Norfolk cousins. Set in a sandy, hilly landscape of heaths and pines, the northernmost outpost of the wildlife-rich strip of sandy heathlands running up the Suffolk coast, the lake is deep and two miles long but so hidden by trees that many people don’t know of its existence.

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